I think it is a very exciting group of papers.
Fred Maus
f.maus@virginia.edu
==
Session 1: Historiography
10:30 - 12:30, St. Mark's
Ruth Heckmann, "The reception of women composers in journals of
music between 1780 and 1830"
Sue Cole, "A 'fine, manly respect for tradition:' gender and
early music in Nineteenth-century England"
Bruce Durazzi, "Meter, Analysis and Gender Anxiety: A Closer
Look at the 'Feminine Ending'"
Tobias Pettersson, "Nationalism and Gender in Music History
Writing: A Case Study"
Session 2: Performing race, gender, sexuality
10:30 - 12:30, Rosary Hall
Ellie M. Hisama, "From 'Brown Sugar' to 'I am Human':
African-American Women as Subject and Object in Popular Music"
Michal Rahfaldt, "'Work That Stage!!': Reinventing Musical
Space in Drag Performance"
Eileen M. Hayes, "Representations of Feminism and Blackness in
Women-identified Music"
Carmen Mitchell, "Artistic Pretenders and Musical Provocateurs: House
Divas, Gay Men, and Racialized Sexualities in Contemporary Dance Music
Texts"
Session 3: Instrumental Music and Narrative
2:45 - 4:15, St. Mark's
Liz Garnett, "Problems in the Gendered Analysis of Instrumental
Music: Drama, Narrativity, Personae"
Maiko Kabawata, "Rimsky-Korsakov's _Scheherazade_ as Female
Narrative"
Elizabeth Paley, "On Bodily Music, Disembodied Codas, and
Beethoven's _Egmont_"
Session 4: Education
2:45 - 4:15, Rosary Hall
Patricia O'Toole, "Threatening Behaviors: Trangressive Acts in
Music Education"
David Gramit, "The Mother, the Teacher, and the School: A Case
Study in the Social Practice of Music"
Reinhold Degenhart and William Osborne, "Women Composition
Teachers in Europe"
Thursday, July 8
Session 5: Gender in Opera and Musical Theater
9 - 12, St. Mark's
Annamaria Cecconi, "The Wicked Leonora: the Strange Case of an
Idol of Pervsersity in Verdian Times"
Marianne Tettlebaum, "Ladt Macbeth's Tragedy: A Reading of
Verdi's Macbeth"
Elizabeth Wells, "'A Quiet Russian Family': _Lady Macbeth_ and
Sexual Politics in the Stalinist Era"
Anne Sivuoja-Gunaratnam, "Kundry as Abject"
Maree Macmillan, "Opening Pandora's Closet: 'Trappings' of
Sexuality in Berg's Opera _Lulu_"
Anne Foradori, "Broadway Baby"
Session 6: Issues of Race
9 - 10:30, Rosary Hall
Sherrie Tucker, "Nobody's Sweethearts: Gender, Race, Jazz, and
the Darlings of Rhythm"
Catherine Parsons Smith, "Enlightening and Enwhitening the
World: Mary Carr Moore's _Narcissa: Or, The Cost of Empire_"
Donna Cox, "Eurocentric Hegemony in the College Music
Curriculum: The African American Woman Professor Singing the Blues"
Session 7: Female Spectators
10:30 - 12, Rosary Hall
Christina Baade, "The Crooning Voice: Aural Desire and
Imaginary Intimacy in _Going Hollywood_"
Brian Currid, "The 'Singer Film' and Female Spectatorship"
Samantha Beer, "Shapes in Sound: The Internalization of Tori"
Session 8: Gender, Sexuality, and Performance
4:30 - 6, Rosary Hall
Martha Mockus, "Respiration: Breathing and Sounding a Lesbian
Musical Valentine"
Suzanne Cusick, "Music, Subjectivity, and 'the Symbolic Order
of the Mother': Challenges from the Italian Feminist Theory of Diotima"
Kristin Nordeval, "Improvisational Tactics"
Friday, July 9
Session 9: Voices
9 - 11, St. Mark's
Patricia Cameron, "Giving Voice to Gender"
Sonya Lawson, "Female Jazz Singers vs. Female
Instrumentalists: A Comparison of their Reception"
Hannah Bosma, "Madonna's Voice"
Julia Byl, "'I Am Becoming My Own Song': Bethany Beardslee's
_Philomel_?"
Session 10: Early Modern Voices
11 - 12, St. Mark's
Laurie Stras, "Le Nonne della Ninfa: Feminine Voices and Modal
Rhetoric in the Generations before Monteverdi"
Bonnie Gordon, "Capturing 'angioletta': An Analytic Fantasy of
the Female Voice"
Session 11: Western Institutions
9 - 10, Rosary Hall
Barbara Underwood, "Plato's Methodology in his Construction of
the Musical Subject"
June Boyce-Tillman, "In Tune with Heaven or Not? Women's
Authority in the Area of Liturgical Music in Christianity"
Session 12: Theory
10 - 12, Rosary Hall
Elizabeth Tolbert, "Untying the Music/Language Knot"
Fred Everett Maus, "Sexual and Musical Categories"
Pirkko Moisala, "Musical Gender in Performance"
Martin Scherzinger, "Feminine/Feminist? In Quest of Experiences
with No Names (Yet)"
Session 13: Classical Music Identities
2:45 - 4:15, St. Mark's
Mary Gebhart, "'I Am Not a Pretty Girl': Evaluating Resistance
Transcripts through the Lives of Nineteenth Century Women Musicians and
Composers"
Taru Leppanen, "Women, Media, and the 1995 International Jean
Sibelius Violin Competition"
Cora Cooper, "The 'Babe-ification' of Women in Classical Music:
Past Barriers and Current Trends"
Session 14: Liszt
2:45 - 4:15, Rosary Hall
Marischka Olech Hopcroft, "Redefining Neo-Classic Masculinities
from French Art through the 'beau ideal': Liszt's Second Ballade 2 in B
Minor (1853)."
Teresa Magdanz, "Declawing the Lion: Gendering Liszt"
James Deaville, "Writing Liszt: Lina Ramann, Marie Lipsius and
Early Musicology"
Saturday, July 10
Session 15: Composers
9 - 12, St. Mark's
Margaret Myers, "Alma Schindler's Songs"
Liane Curtis, "Rebecca Clark and London, 1924-1939"
Heidi von Gunden, "Vivian Fine - An American Composer Who has
Survived and Thrived"
Mihaela Stanculescu Vosganian, "The Romanian Women Composers"
Judith Coe and Susannah Garcia, "Putting out to Sea: The Lieder
of Josephine Lang"
Suzanne Summerville and Elizabeth R. Austin, "Er, der
herrlichste von allen? An Explanation of the Role of Ingeborg Bachmann's
_Malina_ in Composer Elizabeth R. Austin's New Setting of Adelbert von
Chamisso's _Frauen-Liebe und -Leben_"
Session 16: Ethnomusicology
9 - 11, Rosary Hall
Mary Natvig, "Women's Gamelan in Bali: Harmless Novelty or
Dawning Empowerment?"
Rachel Harris, "Three Chinese Shamans and the Revolution"
Carol Ann Weaver, "Contemporary Kenyan Women's Music - a
Feminist Presence?"
Ellen Koskoff, "'That's Why We Won't Take You, OK?':
Problematizing Feminist Ethnomusicology"
Session 17: 18th Century Studies (1)
11 - 12, Rosary Hall
Brooke Green, "Summoning the Thunder: Elisabeth Jacquet de la
Guerre's _Semele_"
David Hunter, "Margaret Cecil, Lady Brown: 'Persevering Enemy to
Handel' but 'Otherwise Unknown to History'"
Session 18: Technology
2:45 - 4:15, St. Mark's
Charity Marsh and Melissa West, "The Nature/Technology Binary
Opposition Dismantled in the Music of Madonna and Bjork"
Beverly Diamond, "Reading for Gender in a Yukon Recording Studio"
Susan C. Cook, "Talking Machines and Moving Bodies: Recording
Popular Music and Marketing Gender"
Session 19: 18th Century Studies (2)
2:45 - 4:15, Rosary Hall
Patricia A. Parker, "The Emergence of Sonata Allegro Form in
the Music of Eighteenth Century Women"
Denise Seachrist, "Innocent Dove of the Ephrata Cloister: An
Examination of Maria Eicher's Hymn Texts in _Die Tuertel-Taube_"
Gabriele Busch-Salmen, "Duchess Anna Amalia von
Sachsen-Weimar-Eisenach as a Theoretical Reflective Musician Represented
through her Essay 'Gedanken ber die Musick'"