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Forwarded message (apologies for cross-postings)
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From: Margaret Bent <margaret.bent@all-souls.oxford.ac.uk>
Guillaume de Machaut: Music, Text and Image
An interdisciplinary conference to be held in All Souls College, Oxford
convened by Margaret Bent and Elizabeth Eva Leach
provisional programme
Friday June 29th
2.30 - 4
Tony Hunt (St Peter's College, Oxford): Guillaume de Machaut and Fortune
Jacqueline Cerquiglini-Toulet (Université de Paris-Sorbonne-Paris
IV): Cri, soupir, syncope : le lyrisme de la plainte dans la
poésie de Guillaume de Machaut
4.30-6
Lawrence M. Earp (University of Madison-Wisconsin): "Patterns in
Play": Texting Practices in Machaut's Music
Alison Stones (University of Pittsburgh) The illustrations in the Machaut
manuscripts
Saturday June 30th
9.00 - 11
Jehoash Hirshberg (Hebrew University, Jerusalem) Machaut's portrayal of
the Lady who Guards her Honour - Honte paour
Jane Flynn (Independent scholar, Bridlington): Machaut's Honte, paour and
De toutes flours compared through the Faenza intabulations
Christopher Page (Sidney Sussex College, Cambridge): Machaut and
Charlemagne: the heartland of medieval composition
11.30 - 1
Virginia Newes (Independent Scholar, Newton, Massachusetts): Symmetry and
Dissymmetry in the Music of the Lay de Bonne Esperance
Kevin N. Moll (East Carolina University ) Paradigms of Four-Voice
Composition in the Machaut Era
David Maw (Oriel College, Oxford): Genre in Machaut's Late Songs
2.30 - 4
Sylvia Huot (Pembroke College, Cambridge): The Aesthetics of Suffering in
the Jugement Navarre
Ardis Butterfield (University College, London): Machaut and Citationality
4.30-6
Elizabeth Eva Leach (University of Bristol) Narrative lyrics and musical
narrative: Notated balades 1-5
Anne Stone ( Queen's College and City University of New York Graduate
Center) Poetic voice and music writing in Machaut: Some remarks
on B12 and R14
Sunday July 1st
9.00 - 11
Alice V. Clark (Loyola University, New Orleans): Listening to Machaut's
Motets
Gilles Dulong (Ecole Normale Supérieure, Paris): What's in a name? a
propos du rondeau Cinq, un, treize, huit, neuf (R6)
John Andrew Bailey (University of Pennsylvania): Apocalyptic Numerology in
Remede de Fortune
11.30 - 1
Karl Kügle (University of Hong Kong): Some observations regarding
musico-textual interrelationships in four late rondeaux by Machaut
Yolanda Plumley (University College, Cork)The Marriage of Words and
Music: Musique Naturele and Musique Artificiele in Machaut's Sans
cuer, dolens (Rondeau 4)
2.30 - 4
Thomas Brown (The London Goodenough Trust): Machaut's motet 3, He
Mors/Fine Amours/Quare non sum Mortuus
Jacques Boogaart (Utrecht University): The talea as a symbol of the
theme in Machaut's motets
4.30-6
Kevin Brownlee (University of Pennsylvania) and Margaret Bent (All Souls
College, Oxford): Text and music in motet 10, Hareu! hareu! le
feu, le feu, le feu/ Helas! ou sera pris confors/ Obediens usque
ad mortem
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Support from the British Academy and from the Music departments of the
Universities of Oxford and Bristol and from All Souls College is
gratefully acknowledged.
Registration will be limited by space, so please indicate if you wish to
come, by Email to <margaret.bent@all-souls.oxford.ac.uk>, and I will
confirm in order of receipt of applications.
We are asking a registration fee (from those not on the programme) towards
the costs of tea, coffee etc. To keep arrangements simple, there will be
just two levels of charge, 15 pounds; or if you are a student or senior
citizen, or will be attending only on one day, you may pay 10 pounds.
This should be paid on arrival at the conference, preferably in cash.
Hotels and bed and breakfast establishments in Oxford (from 21 pounds up)
can be located on the web at http://www.oxfordcity.co.uk/. Limited cheap
central Oxford accommodation is available at Lincoln College's Mitre rooms
from 29 June: B&B 26.25 pounds single, 48.50 pounds double. Phone +44 -
(0)1865 279821.
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