history of concert programs

From: jklutterman@ucdavis.edu
Date: Sat Feb 24 2001 - 14:07:46 PST

Next message: Paul Moor: "FW: Musikbiennale Berlin"

Previous message: Paul Moor: "One man's (Robert Commanday's) opinion. . . ."
Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]

Some other interesting sources include articles and book by William Weber on
the rise of concert society in England, James Parakilas on the formation of the
canon (in Repercussions a few years ago), Valerie Goertzen on Clara Schumann,
and a forthcoming book by Kern Holoman on the Societe du Concerts in Paris.
Sorry I don't have more detailed bibliographic info handy.

John Lutterman
UC Davis

>
> MLIST Digest 604
>
> Topics covered in this issue include:
>
> 1) Yesterday's bad PBS music pun
> by Vivian <vivian@me.umn.edu>
> 2) teaching the history of concert programs
> by wweber@csulb.edu (William Weber)
> 3) Re: teaching the history of concert programs
> by Jon Alan Conrad <conrad@UDel.Edu>
>

Next message: Paul Moor: "FW: Musikbiennale Berlin"
Previous message: Paul Moor: "One man's (Robert Commanday's) opinion. . . ."
Messages sorted by: [ date ] [ thread ] [ subject ] [ author ]

This archive was generated by hypermail 2b29 : Sat Feb 24 2001 - 14:09:13 PST